{"id":222197,"date":"2026-09-23T12:31:30","date_gmt":"2026-09-23T10:31:30","guid":{"rendered":"https:\/\/www.tierslivre.net\/ateliers\/?p=222197"},"modified":"2026-09-23T12:31:31","modified_gmt":"2026-09-23T10:31:31","slug":"arts-de-la-fiction-01-notre-besoin-de-consolation-est-impossible-a-rassasier","status":"publish","type":"post","link":"https:\/\/www.tierslivre.net\/ateliers\/arts-de-la-fiction-01-notre-besoin-de-consolation-est-impossible-a-rassasier\/","title":{"rendered":"#Arts de la fiction #01 | notre besoin de consolation est impossible \u00e0 rassasier"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Je m\u2019appr\u00eate \u00e0 monter les marches d\u2019une structure\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 Je m\u2019appr\u00eate \u00e0 gravir les niveaux d\u2019une structure en escalier qui m\u00e8ne \u00e0 une chambre et peut-\u00eatre est-ce ma chambre ou une chambre \u00e9trang\u00e8re dont le lit va m\u2019accueillir, o\u00f9 je prendrai un peu de repos. C\u2019est une structure que ses concepteurs ne cessent de modifier, dont ils modulent le parcours ascensionnel, comme des cubes de constructions empil\u00e9s les uns sur les autres, maintenus en \u00e9quilibre, organisant marches et passerelles suspendues dans le vide, un parcours toujours r\u00e9invent\u00e9, qui ne suit aucun fil logique, aux d\u00e9tours surprenants et inutiles \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 comme des cubes de construction que manipulent des enfants, sans logique, avec une totale libert\u00e9, un parcours toujours nouveau, ne menant parfois nulle part, achevant sa progression au bord du vide, sans garde-fou, et l\u2019on y chemine sans pouvoir s\u2019attendre \u00e0 quoi que ce soit, c\u2019est un jeu d\u2019enfants et malgr\u00e9 la fatigue, le besoin d\u2019aller trouver le sommeil, on ne peut que suivre incessamment le trac\u00e9 des cubes plac\u00e9s c\u00f4te \u00e0 c\u00f4te ou manquant soudain, l\u2019on ne cesse de bifurquer, de revenir sur ses pas, de monter p\u00e9niblement plusieurs niveaux avant de devoir les redescendre, de suivre fou d\u2019espoir de longues lignes droites qui sont autant de culs-de-sac, des cubes de construction d\u2019un aspect lisse de plastique froid ou de contreplaqu\u00e9 brillant, d\u2019une couleur de sable ou de bois clair, un jeu d\u2019enfants irr\u00e9solus, qui ne suivent jamais une m\u00eame id\u00e9e suffisamment longtemps pour mener quiconque \u00e0 bon port \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 (poursuivre)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Je m\u2019appr\u00eate \u00e0 monter les marches d\u2019une structure\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . \u00a0\u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 .\u00a0 \u00a0.\u00a0\u00a0 .\u00a0\u00a0 .\u00a0\u00a0 . <a class=\"more-link\" href=\"https:\/\/www.tierslivre.net\/ateliers\/arts-de-la-fiction-01-notre-besoin-de-consolation-est-impossible-a-rassasier\/\">Continuer la lecture<span class=\"screen-reader-text\">#Arts de la fiction #01 | notre besoin de consolation est impossible \u00e0 rassasier<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":720,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"h5ap_radio_sources":[],"footnotes":""},"categories":[8202,8203],"tags":[],"class_list":["post-222197","post","type-post","status-publish","format-standard","hentry","category-saison-2026-2027-arts-de-la-fiction-le-cycle-hebdo","category-arts-de-la-fiction-01-michel-butor-marche-sur-une-plage"],"_links":{"self":[{"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/posts\/222197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/users\/720"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/comments?post=222197"}],"version-history":[{"count":1,"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/posts\/222197\/revisions"}],"predecessor-version":[{"id":222198,"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/posts\/222197\/revisions\/222198"}],"wp:attachment":[{"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/media?parent=222197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/categories?post=222197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tierslivre.net\/ateliers\/wp-json\/wp\/v2\/tags?post=222197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}